 In addition to these standard controls the FL-9 features a Delay Time knob that allows for a vast array of all-new spatial effects. The Delay Time control exhibits an inverse relation between the delay time and the frequency shift of the flange - as the delay time increases, the frequency that is shifted decreases. This inverse relation creates an amazingly realistic, three-dimensional flanging effect. In addition, the Delay Time control is interactive with the Rate and Depth controls, so that if you increase the Depth, the Delay Time range increases, and if you increase the Speed, the Delay Time changes faster. Like other time-delay models in the Maxon line, the FL-9 uses an analog comb filtering circuit to provide its lush effect. A comb filter reintroduces the delayed signal against the original signal, generating "double level" peaks and "cancellation" notches at certain frequency points that create the effect. If there is a downside to comb filtering, it is that the peaks can cause the output level of the unit to be louder than when bypassed. In an effort to eliminate this problem, the FL-9 has been carefully calibrated to provide unity gain when engaged. In addition, the FL-9's performance is kept exceptionally quiet thanks to a Signetics #NE570 compander and true bypass switching using a 4PDT mechanical switch. |
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   photo credit: Diana Cordero
"The Maxon FL-9 feels indestructible. The sounds are huge and rich, and the spectrum is broad - from subtle to extreme. And, as someone who loves the sound of jets, this pedal roars beautifully."
- Gretchen Menn - www.gretchenmenn.com |
